NMPA Praises House Judiciary Committee Unanimous Passage of Music Modernization Act
For Immediate Release: April 11, 2018
Media Contact: Charlotte Sellmyer
WASHINGTON, D.C. – National Music Publishers’ Association (NMPA) President & CEO David Israelite released the following statement regarding the music legislative package today passed unanimously out of the House Judiciary Committee. The bill now awaits consideration by the full House of Representatives.
“The House Judiciary Committee’s approval of the Music Modernization Act (MMA) is a critical step towards finally fixing the system to pay songwriters what they deserve,” said Israelite. “We greatly appreciate the committee’s attention to helping music creators, specifically Chairman Goodlatte, Ranking Member Nadler, Congressman Hakeem Jeffries, and a special thanks to Congressman Doug Collins for being the driving force behind the MMA. There is unprecedented consensus and momentum behind this bill, and we look forward to seeing it soon pass the full House.”
The Music Modernization Act package, introduced by Chairman Bob Goodlatte (R-VA) and Ranking Jerrold Member Nadler (D-NY) this week, contains three key titles:
The Music Modernization Act reforms Section 115 of the U.S. Copyright Act to create a single licensing entity that administers the mechanical reproduction rights for all digital uses of musical compositions – like those used in interactive streaming models offered by Apple, Spotify, Amazon, Pandora, Google and others. It also repeals Section 114(i) and, consistent with most federal litigation, utilizes random assignment of judges to decide ASCAP and BMI rate-setting cases – two provisions that will enable fairer outcomes for songwriters and composers.
The CLASSICS Act (Compensating Legacy Artists for their Songs, Service, & Important Contributions to Society Act) would benefit artists and music creators who recorded music before 1972 by establishing royalty payments whenever their music is played on digital radio. SoundExchange would distribute royalties for pre-’72 recordings played by Internet, cable and satellite radio services just as it does for post-’72 recordings. Currently only sound recordings made after 1972 receive payments from digital radio services under federal law.
The AMP Act (Allocation for Music Producers Act) for the first time adds producers and engineers, who play an indispensable role in the creation of sound recordings, to U.S. copyright law. The bill codifies into law the producer’s right to collect digital royalties and provides a consistent, permanent process for studio professionals to receive royalties for their contributions to the creation of music.